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[Code : EA_B130] Molivothiki Aetoma - Pediment Pencil Holder (10x3 in.)
Molivothiki Aetoma - Pediment Pencil Holder (10x3 in.)
Height 7 cm (2.8 in.)
Price $39.95




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Made of Casting Stone with an antique stone finish. Size: 10"x3" (24x7cm).
A great gift, and an eye-catching addition to your office at work or home!


History
Parthenon's West Pediment
The west pediment faced the Propylaia and depicted the contest between Athena and Poseidon during their competition for the honor of becoming the city's patron. Athena and Poseidon appear at the center of the composition, diverging from one another in strong diagonal forms with the goddess holding the olive tree and the god of the sea raising his trident to strike the earth. At their flanks they are framed by two active groups of horses pulling chariots, while a crowd of legendary personalities from Athenian mythology fills the space out to the acute corners of the pediment.

The work on the pediments lasted from 438 to 432 BC, and the sculptures of the Parthenon pediments are some of the finest examples of classical Greek art. The figures are sculpted in natural movement with bodies full of vital energy that bursts through their flesh, as the flesh in turn bursts through their thin clothing. The thin chitons allow the body underneath to be revealed as the focus of the composition. The distinction between gods and humans is blurred in the conceptual interplay between the idealism and naturalism bestowed on the stone by the sculptors. The pediments no longer exist.

Parthenon's East Pediment
The East pediment narrates the birth of Athena from the head of her father, Zeus. According to Greek mythology Zeus gave birth to Athena after a terrible headache prompted him to summon Hephaestus' (the god of fire and the forge) assistance. To alleviate the pain he ordered Hephaestus to strike him with his forging hammer, and when he did, Zeus's head split open and out popped the goddess Athena in full armour. The sculptural arrangement depicts the moment of Athena's birth.

Unfortunately, the center pieces of the pediment were destroyed even before Jacques Carrey created otherwise useful documentary drawings in 1674, so all reconstructions are subject to conjecture and speculation. The main Olympian gods must have stood around Zeus and Athena watching the wondrous event, with Hephaestus and Hera probably near them. The Carrey drawings are instrumental in reconstructing the sculptural arrangement beyond the center figures to the north and south.


 



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